The topic of “computers and the arts” today largely focuses on the use of artificial intelligence to suck up the work of artists–often without their permission–and regurgitate it based on text prompts. No doubt the goal of many of these venture capital-funded projects is to eventually replace the human artists altogether.

Such concerns were still more science fiction than dystopian reality back in March 1987, when this next Computer Chronicles episode first aired. But the ever-wise George Morrow nevertheless cautioned that we should always ensure that machines serve the humans, not the other way around. Stewart Cheifet opened the program by showing Morrow, this week’s co-host, a series of black-and-white sketches produced by artist Harold Cohen using a plotter hooked up to a computer. Cheifet noted that some artists believed computers and art didn’t mix. What did Morrow think? Morrow disagreed. He thought that critics of using computers in the arts were getting the hardware mixed up with the software. He cited the film Star Wars as an example of artists creating effects with software. In art, there were a lot of repetitive tasks. Computers could be a marvelous tool for helping automate those tasks–provided the software was made by the artists and not some computer scientist.