Computer Chronicles Revisited 116 — Macworld Expo/Boston 1988
Computer Chronicles returned for its sixth season in October 1988 with an episode covering the second Macworld Expo of the year, which was held from August 11 to 13 at Boston’s World Trade Center and Bayside Exposition Center. The show featured approximately 350 companies displaying products over 1,200 booths. The three-day attendance was estimated at around 40,000 people.
The Boston Macworld came at the mid-point of Apple CEO John Sculley’s tenure with the company. Steve Jobs was long gone, although as we’ll see later he was about to launch his comeback. The Macintosh II’s success finally enabled Apple to make significant inroads into the business market and report record sales in 1987. HyperCard, the software development tool that was the talk of last year’s Boston Macworld, continued to attract interest, even if it hadn’t quite taken the larger computing world by storm. And there was a growing sense that Apple could become the dominant personal computer company of the 1990s, especially as IBM and its clone makers continued to battle over new standards for the PC platform’s system bus.
Indeed, Sculley himself was so confidant in the state of his company that his appearance to deliver the day-one keynote address at Macworld came in the midst of a nine-week sabbatical. Sculley had been officially out of the office since June 29 and holed up with his family at their home in Maine. This was actually part of an official Apple policy granting six weeks of sabbatical to employees who had been with the company at least five years. Sculley, who joined Apple in April 1983, had recently reached his five-year anniversary, so he decided to combine his six-week sabbatical with his three weeks of annual leave.
Sculley’s time off did not reflect a lack of ambition, however, as he spent much of 1988 pushing the idea that Apple’s continued growth was inevitable. In an interview published by Knight-Ridder just before his sabbatical, Sculley said he “would be disappointed if we were anything less than a $25 billion company” by the turn of the century. (Spoiler: Apple’s revenues were only about $5.8 billion in 2000; the company didn’t hit $25 billion in sales until 2006 at the height of the iPod market.)
Sculley was also bullish on Apple’s ongoing lawsuit against two of its largest third-party vendors, Microsoft and Hewlett-Packard, over allegations that their graphical operating systems violated Apple’s copyright over the “look and feel” of the Macintosh’s user interface. Sculley maintained the lawsuit was “narrowly defined” to “help define the rights of intellectual property” in the industry. For his part, Microsoft chairman Bill Gates did not take the lawsuit personally, as he delivered the keynote address at the second day of Boston Macworld and dismissed Apple’s lawsuit as a nuisance that would hopefully be resolved by the end of the year.
When asked if he saw himself remaining at Apple five years from now, Sculley proclaimed, “Yes, I have nowhere better to go.” Ironically, Sculley fell just short of that mark. Apple’s board deposed Sculley as CEO in June 1993 and he left the company altogether a few months later. Incidentally, that Microsoft-Hewlett Packard lawsuit was still going on when Sculley left, and Apple ultimately lost.
Would Apple Benefit from PC Schism?
But back to the 1988 Boston Macworld Expo. Stewart Cheifet recorded a brief introduction from a perch overlooking the Expo floor, joined by Macworld editor-in-chief Jerry Borrell. Cheifet quipped that while the United States and the Soviet Union were making progress towards peace, it seemed there was still a major war going on between PC and Mac users. What was the impression about that “war” from the Mac perspective? Borrell enthusiastically noted there were hundreds of new Mac products on the show floor from traditional PC vendors. This showed that Apple’s gamble on the Macintosh II paid off, enabling third-party developers to come in and expand the overall Macintosh market. (The Internet Archive’s recording cut out in the middle of Borrell’s comments to show us a clip from someone’s home movie recorded in 1976.)
Borrell added that as the PC world started to transition to the PS/2 and OS/2, there were simply no products currently on the market to take advantage of this new platform, and overall product development had slowed. So he believed the new Macintosh II products would take advantage of the “disarray” in the IBM market.
Drawing, Animating, and Computer Design Dominated
The remainder of this episode was Stewart Cheifet narrating highlights from the Macworld Expo floor. He began with a look at new graphics and drawing software. Cheifet said if there was any lingering doubt about the appeal of splashy graphics, it was not apparent at Macworld. In almost every aisle of Boston’s World Trade Center, there were highly promoted paint, video, and architectural CAD programs on display:
- Aba Software, Inc., introduced Graphist Paint II ($495), a paint package with a hidden stencil layer beneath the work layer. An artist could etch away sections of the top image to reveal portions of the underlying image. Finished images could be rotated, skewed, distorted, or inscribed on a sphere. The software required at least 2 MB of memory.
- Cricket Software, Inc., unveiled Cricket Paint ($295), a monochrome drawing program with a feature called “fresh paint,” which allowed the user to turn a bitmap drawing into an object that could be moved and manipulated. De-selecting the object then turned it back into a bitmap image. The drawing tools could also be customized to suit the user’s preferences. Cricket Software chairman James Rafferty said that while everyone else focused on color painting software for the Macintosh II, there were still about 1.5 million users still on monochrome Macs, which was the market he wanted to serve with Cricket Paint. (I previously discussed the history of Cricket Software and James Rafferty in this post.)
- Deneba Software debuted Canvas 2.0 ($299), a color paint package that offered an unlimited number of layers. Images could be viewed as either objects or bitmaps in up to 16 million colors. The software also provided gray levels in 1-percent increments and drawing precision up to 1/64000 of an inch.
- MicroIllusions offered what it described as “third-generation” graphics in a new program called Photon Paint ($300), which allowed the artist to tilt, rotate, resize, and map an image onto a 3D object. It could also blend colors smoothly through dithering onto either transparent or opaque backgrounds. (I previously covered the history of MicroIllusions in this post.)
- Silicon Beach Software, Inc., displayed SuperPaint 2.0 ($199), a budget-priced black-and-white image processor featuring new poster, edge, and autotrace functions. Silicon Beach president Charles Jackson said they added some strong features to the paint side of the program, in particular plugin modules that allowed users to make custom tools and add it to the tool palette. On the draw side, SuperPaint now had Bézier curves and the autotrace, which automatically traced a bitmap image and placed it in the draw layer. (I previously covered the history of Silicon Beach and Jackson in this post.)
- Another Silicon Beach release was Digital Darkroom ($395), a gray-scale photo editing program with a set of “intelligent tools” for automating most cut-and-paste, select, and fill operations.
- Abvent, a French developer, debuted Jonathan Draw ($495), a 2D drawing program that read and print to the best resolution of the user’s output device independent of the screen resolution they were using. Jonathan Draw also featured “snap tools” for jumping between different views.
- Claris Corporation, Apple’s software spin-off company, unveiled its own 2D design program, Claris CAD ($799), which allowed for either mouse or keyboard entry, automatic dimensioning, and an adjustable workspace. The user could adapt or design new fill patterns, pens, dashed lines, and dimensioning parameters. The program was scheduled to ship in December 1988.
- CompServCo demonstrated Mac Interiors ($295), a 3D interior design tool. The user could create a room “outline” with doors and windows, create a library of objects with up to 64 sides each, and then place those objects in the room. The completed room could then be viewed from any angle to a user-defined scale. The output could also be sent to an Apple ImageWriter or LaserWriter printer or to a large-scale plotter.
- DynaWare revealed its Macintosh II version of DynaPerspective ($1,495), a 3D CAD animation package that featured up to 120 colors, floating-point coordinates, and 5 different grid units. The user could create an animated “walkthrough” of their drawing by selecting a few views, specifying the number of frames in between, and the software would then automatically generate the intervening frames. DynaPerspective required a minimum of 2 MB of memory.
- Another French company, Gimeor SA, debuted MAC Architrion ($1,500), a 2D and 3D package for architects. Gimeor claimed its software mimicked the traditional interface provided by architectural tools. This program therefore targeted professionals who needed to design in real volumetric 3D from start to finish. The designer could visualize and animate a project in 3D while creating 2D drawings from the same data.
Taking a short break from software, Cheifet moved on to a couple of new Mac peripherals:
- E-Machines–no, not the one you’re thinking of–unveiled a new external Mac display targeting the desktop publishing market. The Big Picture Z21 ($2,500) was a 21-inch monochrome monitor that could display at four different resolutions ranging from 30 to 80 dots per inch. Smaller publications could be displayed full-screen, and hardware-level panning and zooming was available for larger form-factor publications. The Z21’s maximum resolution was 1280-by-960. There was also a grayscale model that could display up to 256 shades of gray.
- Pixelogic announced the ProViz Color Video Digitizer ($1,095 monochrome; $1,695 color), a standalone peripheral that connected to the Macintosh’s SCSI port. ProViz could digitize video from any source and send the output to a monitor, printer, or video cassette recorder.
Cheifet noted that while the Macintosh had always been known for its graphics, the real explosion over the past year had been in mainstream business applications, in particular business presentation software:
- Aldus Corporation demonstrated a pre-release version of Aldus Persuasion ($500), a presentation package that combined an idea outliner with pre-designed visual templates. The user entered text into the outliner, picked a template, and the software then created the presentation. Persuasion also came with drawing and charting tools, and the templates could be customized to add a company’s logo and colors. Aldus planned to release the final version of Persuasion during the first half of 1989. John Testement, a marketing manager with Aldus, said Persuasion differed from other presentation graphics packages in that it had a complete set of tools.
- Letraset demonstrated StandOut! ($295), an integrated presentation package that included a word processor, a slide design and creation system, and charts and graphs. StandOut! came with predefined templates and allowed the user to create their own custom designs. There was also three levels of viewing magnification and a group of “master” frames for placing repeated elements.
- Microsoft announced several updates to its Macintosh application line, including Microsoft PowerPoint 2.0 ($395), Microsoft Works 2.0 ($295), and Microsoft Excel 1.5 ($395). The Excel update featured new macro functions, custom menus and dialog boxes, and color support for the Macintosh II.
- Ashton-Tate announced its was shipping its presentation-oriented spreadsheet program, Full Impact ($400), which had an integrated text processor and pull-down menus, and allowed for up to eight spreadsheets to be opened at once. There was also a worksheet to assemble spreadsheet data, text, and charts into a finished presentation package. Tony Paradiso, the Macintosh product manager for Ashton-Tate, said they had taken the core spreadsheet functionality and added around it presentation features that you would associate with desktop publishing. (Paradiso was previously featured in a November 1986 Computer Chronicles when he worked for AST Research.)
- Springboard Software unveiled Springboard Publisher ($200), which fit in somewhere between a desktop publisher and a word processor. The program included optional newsletter templates, clip art, and laser-printer fonts.
- ProVUE Development introduced Panorama, a database with a spreadsheet-like structure. Drawing tools allowed the user to create and modify forms and reports, and to import graphics from other applications. A feature called “flash art” allowed the user to paste artwork into database records simply by typing the name of a pre-stored image.
Just One More Thing–the Apple Scanner!
Cheifet opened the second half of his Macworld montage by noting that Mac users had long put up with snide remarks from PC users over the original Mac’s lack of color. With the advent of the Macintosh II, however, there were now a wide range of software applications that take advantage of its color capabilities:
- Aegis Development showed off the first module of its future animation workshop, Showcase F/X ($395) which generated color titles and special effects for video. Showcase came with a WYSIWYG display and metamorphic fonts that could be stretched, dragged, and skewed to create unique shapes. A user could animate titles and play back linked sequences. Showcase required a Macintosh II with at least 2 MB of memory.
- MacroMind Inc. unveiled VideoWorks Professional ($695), a real-time color animation program. This new version of VideoWorks came with animation tools to create airbrush speckles, gradients, cycling, smearing, smudging, and tinting, and could pick up, rotate, and slide images. Drawings could also be auto-animated. (I previously discussed MacroMind and VideoWorks in this post.)
- Truevision demonstrated a video capture board, Nu Vista (starting at $4,250), which could display videos in high-resolution color. Nu Vista offered multiple bit depths, programmable capture, and came with a 32-bit coprocessor. The board required a Macintosh with at least 2 MB of memory.
- Mass Microsystems offered its own video board, the Colorspace II, which featured graphics overlay and auto-genlock to video signals. The board could output RGB and was compatible with both NTSC and PAL television signals.
- Electronic Arts premiered Studio/8 ($495), a color paint package with 4 levels of magnification and 9 tool modifiers. This included a special tool allowing any portion of an image to be picked up and used as a paintbrush to create custom effects. A magnified window could be opened anywhere on the screen and all tools were usable at both the regular and magnified levels.
- SuperMac Technology presented Pixel Paint Professional ($595), a paint program featuring Pantone colors for pre-press preparation. Users could scan through colors interactively as if thumbing through a book of samples. Steven Edelman, SuperMac’s chief scientist, noted that back in 1984, people said the Mac was wonderful because it had icons and windows, which we were now seeing on other machines. Now what set the Macintosh II apart was its capacity for true color and advanced imaging.
- Image Club unveiled Art Room ($1,000), a clip art library containing 70 MB of ready-to-print images, including 1,000 encapsulated PostScript images, 100 typefaces, publishing templates, a font juggler, and an image retriever.
- Eastman Kodak and Data Translation jointly demonstrated a color slide scanning, processing, and printing system. Kodak’s desktop scanner ($8,900) took about 3 minutes to scan a color transparency at 2800 dots per inch and 12 bits per pixel color. Meanwhile, Data Translation’s Photomac software ($700) retouched and color corrected images, which could then be printed on a Kodak thermal printer ($5,000).
- Presentation Technologies offered the Montage FR-1 ($6,000), a high-resolution film recorder that could produce slides in more than 16 million colors with full bitmap capabilities at 4,000 lines of resolution.
Apple Computer’s main contribution to Macworld was the debut of a flatbed optical-image scanner–creatively named Apple Scanner ($1,800)–complete with AppleScan and HyperScan software. The monochrome scanner could process line art, halftones, and grayscale images at up to 300 dots per inch, grayscale at 4 bits or 16 levels per pixel.
Apple senior vice president Jean-Louis Gassée, who attended the company’s booth, was pleased that the show had demonstrated the success of the “open” Macintosh II (a not-so-subtle dig at the original “closed” Macintosh championed by Steve Jobs). He noted that Apple could not think of everything, and the benefit of having a modular, flexible product was that other people who knew something could take care of it. A former Apple executive, ACIUS Corporation president Guy Kawasaki, added that for awhile, the question was whether the Macintosh had enough software to support it. That wasn’t a question anymore. Now you could just pick the “finest of the finest.”
Heading back around the Expo floor, Cheifet continued:
- Sharp Electronics introduced a new color scanner, the JX-450 ($7,000), which offered 300 dots per inch resolution and 64 shade gradations for each RGB element. The scanner read the analog RGB data and converted it into 8-bit digital data. The JX-450 had a color tone capacity of up to 260,000 shades.
- Howtek offered a color printer, the PixelMaster ($6,000), which was a standalone tower rather than a desktop unit. The PixelMaster used an advanced thermal ink process called “Thermojet.” The unusual vertical print head squirted liquefied plastic inks onto the paper, which solidified instantly upon contact. Up to 250,000 shades were available at 240 dots per inch.
- Invention Software demonstrated Professional Programmer’s Extender, an advanced color graphics and animation package. The sample application showed animated cross sections of 3D medical data.
- 3Com Corporation announced Macintosh support for its 3 Plus open-architecture local area network manager. 3Com co-founder Bob Metcalfe noted 3Com served higher-end networks by selling dedicated servers. And in the last six months, more than one-third of those servers had Macintosh capabilities. So 3Com decided to make Mac support standard. (Metcalfe has appeared twice before on Computer Chronicles, including an April 1985 episode on computers and communications.)
- Enzan-Hosigumi Co., Ltd., showed off the P.O.E.M. or Personal & Original Embroidery Machine ($1,000), a “desktop embroidery” add-on for the Macintosh. A user could take an original sketch or clip art and use P.O.E.M. to embroider a matching design using an included tiny sewing machine.
- Finally, Bright Star Technologies showed off HyperAnimator ($150), a HyperCard add-on that recorded a person’s face and lip movements, which were then recreated on-screen to create the illusion of synchronized speech. (Cheifet actually used HyperAnimator to do his cold open for the episode.)
Cheifet and Jerry Borrell then briefly reappeared to wrap-up the episode. Cheifet asked Borell about the hot products he saw. Borrell said his pick of the show was Microsoft Excel 1.5 because it introduced color spreadsheets. His other highlights included the Kodak slide processing system, DynaWare’s DynaPerspective, Aldus Persuasion, Electronic Arts’ Studio/8, TrueVision’s Nu Vista video capture card, and Presentation Technologies’ Montage FR-1 scanner.
Jobs Eventually Got His Revenge on Gassée
There was a two-month gap between the Boston Macworld Expo and when this episode first aired in late October 1988. Coincidentally, the airdate was just after deposed Apple co-founder Steve Jobs finally unveiled his long-promised NeXT computer. Stewart Cheifet actually dedicated the first news item in his “Random Access” segment to Jobs’ press conference announcing the NeXT Computer.
In contrast to Jobs’ second tenure at Apple, the tech media in 1988 was far more willing to call out the hippie grifter’s shenanigans at the launch of the NeXT. Wendy Woods reported at NewsBytes that the event was “tightly orchestrated” to ensure that only journalists “hand-picked for their friendliness to Steve Jobs’ company or their publication’s influence” were allowed to attend. Indeed, Woods’ description of the entire presentation would have made Leni Riefenstahl proud:
NeXT planners left no room for unflattering or stray shots either verbal or visual. While all local and national television news operations were invited, none could bring in video cameras. Theirs was a hand-out tape, pre-cut and packaged, for reporter voice-overs.
And in case applause not greet Jobs at the proper times, the audience appeared to be peppered with NeXT cheerleaders. When Jobs announced the machine would have an optional 330 megabyte hard drive for $2,000, people started clapping; when he announced a 660 megabyte drive for $4,000 was also an option, more hysterical clapping.
“It was very weird,” commented one spectator to NEWSBYTES, “I felt I was in a commercial and was the only one who hadn’t seen the script.”
Of course, history would show the NeXT computer never managed to live up to the inital hype, selling only about 50,000 units in various forms until NeXT exited the hardware business in 1993 to focus on its operating system, NeXTSTEP. Indeed, it was the UNIX-based NeXTSTEP that provided Jobs with his entry back into Apple. When his former company needed a new operating system to replace the aging Mac operating system, Apple acquired what was then called NeXT Software, Inc., in 1997.
Ironically, the other operating system that Apple considered acquiring was BeOS, whose developer, Be Inc., was founded by Jean-Louis Gassée, the Apple executive who briefly appeared in this episode. Gassée joined Apple on December 21, 1980, the day the company went public, after executive stints in the European divisions of Hewlett-Packard, Data General, and Exxon Office Systems. Initially appointed to a similar role at Apple, Gassée ended up succeeding Steve Jobs as vice president of product development in May 1985.
Shortly after the Boston Macworld Expo ended, the still-on-sabbatical John Sculley decided to reorganize Apple into four operating divisions. Gassée, who had been senior vice president of research, development, and product marketing, would now be president of the Apple Products group.
But less than 18 months later, in February 1990, Gassée announced his resignation from Apple. This followed yet another reorganization where Sculley planned to let Gassée keep his title but reassign control over Apple’s marketing and manufacturing to another executive, Michael Spindler, leaving Gassée with the “sole job of developing new products and technologies,” according to Wendy Woods.
To be clear, Gassée’s “resignation” amounted to a firing, as he recalled in a December 2020 Medium post. Looking back 30 years later, Gassée said that he and Sculley “disagreed too much and he did what he needed to be done, he showed me the door.” That said, Gassée also credited Sculley with giving him “the professional and financial kick to start my own company, Be, Inc.”
Sculley himself would fall in 1993, replaced by the aforementioned Michael Spindler. Spindler was then replaced in 1996 by Gil Amelio, the former CEO of National Semiconductor. It was Amelio who opened talks with Gassée over acquiring Be, Inc.–or more accurately its BeOS operating system. It turned out that the two sides were simply too far apart on price to make a deal. According to one report, Amelio expected to pay $50 million for Be, Inc., while Gassée’s board demanded $300 million.
After the Be talks collapsed, Jobs and NeXT initiated their own negotiations with Amelio. Apple ended up paying about $430 million to acquire NeXT. Jobs then rejoined Apple, initially as an “advisor” to another former Apple CEO, Mike Markkula, who briefly retook the chairmanship of the board. But of course, a few months later Jobs helped orchestrate Amelio’s ouster and his own installation as CEO.
As for Be, Inc., it was sold to personal digital assistant developer Palm Inc., in 2001. Gassée then joined Palm’s board of directors and briefly served as chairman of one of its spin-off companies, PalmSource, Inc. In 2003, Gassée became the general partner at California venture capital firm Allegis Capital and remained in that role until his retirement in 2022.
Notes from the Random Access File
- This episode is available at the Internet Archive and first broadcast during the week of October 25, 1988. The episode was recorded on location at the Boston Macworld Expo held between August 11 and 13, 1988.
- John Testement has worked as a Richmond, Virginia-based business consultant since the mid-1990s.
- Steven Edelman co-founded his first company, New York-based Ithaca Intersystems, in 1977. Ithaca was an early manufacturer of microcomputers based on the S-100 bus. Edelman left Ithaca in 1981 and moved to California, where he ended up spending time at Stanford University’s electrical engineering department. Initially mistaking Edelman for a faculty member, Stanford eventually offered Edelman office space to work on computer chip design projects. While working at Stanford, Edelman co-founded SuperMac Inc., to develop peripherals for the Macintosh. After Radius Inc. acquired SuperMac in a 1994 stock swap, Edelman retired from the computer industry and moved to Portland, Oregon.
- Guy Kawasaki joined Apple in 1983 as a “software evangelist,” essentially what we would now call a developer relations manager. He left Apple in 1987 to start his own company, ACIUS, which developed the Macintosh database 4th Dimension. After serving as CEO of another company and a columnist for Macworld, Kawasaki returned to Apple in 1995 for a two-year stint as “chief evangelist.” Since leaving Apple for good in 1997, Kawasaki has been an advisor and director for a number of tech companies. He’s currently affiliated with Canva as its “chief evangelist.”
- Aside from the Apple Scanner, Apple’s only other major hardware announcement at Macworld was the Macintosh II 4/40, a $7,398 spec bump for the Mac II that came standard with 4 MB of memory and a 40 MB hard disk. Apple also announced memory upgrade kits for existing Macintosh Plus, Macintosh SE, and Macintosh II users. In case you’re wondering, adding an additional 4 MB to your Mac in 1988 would have set you back $2,399.
- Aside from Microsoft PowerPoint and Microsoft Excel, I think the only software product mentioned in this episode that is still in active development as of this writing (in January 2025) is Panorama, the database engine created by ProVUE Development. In November 2024, ProVUE released Panorama X 10.2 following six years of development.
- While Bill Gates may have harbored no ill feelings towards John Sculley over Apple’s ludicrous copyright lawsuit, he did publicly express irritation over the hype surrounding Steve Jobs’ NeXT Computer. In an interview, he said of Jobs’ machine, “What’s novel about it?,” adding that it was neither as significant a technological advance as the original Macintosh nor did it target a broad enough market to be financially sustainable. Gates was right on both counts, but as Wendy Woods observed, he was also likely fretting about the potential competition that the UNIX-based NeXTSTEP operating system posed to Microsoft and IBM’s Presentation Manager–and of course Windows–especially since IBM had recently licensed the “look and feel” of NeXTSTEP to incorporate into its own implementation of UNIX.
- Computer Chronicles regular Jan Lewis, who edited the short-lived HyperAge magazine and now ran Lewis Research, served as hostess for a HyperCard mini-conference held in conjunction with the Boston Macworld Expo. According to Wendy Woods, however, Lewis almost didn’t make it to Boston due to technical issues. Specifically, Lewis’ Macintosh II died a couple of days before the Expo. Apple was good enough to send her a replacement Mac II–which also failed. Fortunately, Lewis “was able to recover the essential 12 MB of [HyperCard] presentation stacks through the compatible SCSI port on her faithful [Macintosh] SE.”