Database managers often tested the limits of 1980s personal computers. For example, longtime Computer Chronicles contributor George Morrow faced an ongoing problem with the database he maintained to catalog his massive collection of 78 records. He told the final issue of the Morrow Owners’ Review that he’d been forced to abandon his own Morrow Designs MD11 because the old CP/M machine could no longer hold the database.

Morrow initially used a database manager called Personal Pearl, but after about 9,000 records or so, it “got severe hiccups.” So he moved to Ashton-Tate’s dbase II. But after he reached record 32,678 on that program, it “wrapped around on itself and destroyed records.” (This would be the dBASE equivalent of the Pac-Man level 256 kill screen.) Thankfully, Morrow managed to move the database to an MS-DOS machine and repair his data thanks to Norton Utilities, something he discussed in a previous Chronicles episode.

On May 2, 1985, Bill Gates and Steve Jobs held a joint press conference at Tavern on the Green, the famous restaurant in New York City’s Central Park. The co-founders of Microsoft and Apple, respectively, announced the forthcoming release of Excel, Microsoft’s newest spreadsheet program for Apple’s Macintosh. This wasn’t Microsoft’s first spreadsheet. Three years earlier, in 1982, Microsoft released Multiplan. But it had failed to gain market share against the dominant Lotus 1-2-3. So Gates decided to cede the traditional spreadsheet market to Lotus and refocus Microsoft’s efforts on the Macintosh’s graphical user interface.

In 1978, Harvard Business School student Dan Bricklin started thinking about creating an electronic spreadsheet program. That summer, Bricklin decided to try and make his idea a reality. He developed a prototype on an Apple II that he borrowed from Dan Fylstra, who had received his own Harvard MBA the year before and founded a company called Personal Software.

After completing the prototype and showing it to Fylstra, Personal Software agreed to publish the program. Bricklin and a fellow programmer, Bob Frankston, formed their own company, Software Arts, to serve as the developer. Personal Software would then handle marketing and sales and pay royalties to Software Arts.

The history of computer word processing applications can be divided into three main periods, each tied to a specific platform transition. In the first period–the late 1970s and early 1980s when CP/M machines dominated the microcomputer market–WordStar was the gold standard. After the IBM PC came along and MS-DOS displaced CP/M, WordPerfect similarly overtook WordStar. Then, as Windows was finally accepted by the masses at the start of the 1990s, Microsoft’s Word usurped WordPerfect as the one word processor to rule them all. (And if we extend things to the present, in the post-PC age there is effectively a commercial word processing duopoly with Microsoft 365 and Google Workspace.)

On April 28, 1988, Mark Herbst of Harrisburg, Pennsylvania, went to the offices of the Pennsylvania Lottery to redeem the winning “Super 7” ticket from a July 1987 drawing. Under lottery rules, the winner had one year to claim their prize. Herbst, a clerk at a video rental store, told the press that he had “found the winning stub in an old cigar box.” He said he played the lottery so frequently that he often forgot to actually check his tickets. It was only a news report a few days earlier about unclaimed lottery prizes that prompted him to see if he might have a winning ticket.

Dr. Edward Fry, then a professor at Rutgers University in New Jersey, said in a 1987 report that young school children should be taught keyboard typing as opposed to cursive writing. This was a fairly radical notion for 1987 as computers were not yet commonplace in the home. And there was a feeling among many educators at the time that learning to write cursive was an essential step in promoting literacy itself.

The topic of “computers and the arts” today largely focuses on the use of artificial intelligence to suck up the work of artists–often without their permission–and regurgitate it based on text prompts. No doubt the goal of many of these venture capital-funded projects is to eventually replace the human artists altogether.

Such concerns were still more science fiction than dystopian reality back in March 1987, when this next Computer Chronicles episode first aired. But the ever-wise George Morrow nevertheless cautioned that we should always ensure that machines serve the humans, not the other way around. Stewart Cheifet opened the program by showing Morrow, this week’s co-host, a series of black-and-white sketches produced by artist Harold Cohen using a plotter hooked up to a computer. Cheifet noted that some artists believed computers and art didn’t mix. What did Morrow think? Morrow disagreed. He thought that critics of using computers in the arts were getting the hardware mixed up with the software. He cited the film Star Wars as an example of artists creating effects with software. In art, there were a lot of repetitive tasks. Computers could be a marvelous tool for helping automate those tasks–provided the software was made by the artists and not some computer scientist.

Unlike many people who cover computer history, I generally avoid talking about prices “adjusted for inflation” when discussing older products. For example, one of the products demonstrated in this next Computer Chronicles episode, the Zenith Z-181 portable computer, originally retailed for $2,399 in 1987. If you run that figure through an online inflation calculator, it will tell you that this is the equivalent of $5,395.60 in “purchasing power” in December 2022.

I see a couple of problems with talking about computer prices in these terms. First, a computer is not like a quart of milk or some other commodity that has remained relatively consistent in terms of quality over the years. The Z-181 had 640 KB or memory. The laptop I’m typing this post on right now–a roughly 10-year Dell Latitude E7240 that I paid about $250 for refurbished–has 8 GB. If you were to price both machines on a “per-kilobyte” basis, the old Dell is infinitely cheaper than the antique Zenith.

While annual-release franchises are now a common feature of computer games–think Madden or Call of Duty–the practice arguably originated with tax preparation software. After all, tax laws (and tax forms) in the United States change every year, so the software must be constantly updated. This fact made tax preparation a lucrative field for small software companies to enter during the 1980s, when the personal computer market was still struggling to find a foothold in the home.

On December 19, 1984, Prime Minister Margaret Thatcher of the United Kingdom signed a “joint declaration” with her counterpart from the People’s Republic of China, Zhai Siyang, formalizing the return of the British colony of Hong Kong to China on July 1, 1997.

The United Kingdom first claimed the island of Hong Kong as a colony in 1842 after imposing a treaty on China’s Qing dynasty following a conflict known as the First Opium War. After a subsequent conflict–the Second Opium War–the British forced China to cede adjacent territory on the Kowloon peninsula in 1860. In 1898, the British demanded even more land for their expanding colony, which led to a 99-year lease agreement for what became known as the “New Territories.” Although this lease technically applied only to the New Territories, the 1984 joint declaration provided for the return of the entire colony, which only made practical sense since by the 1980s most of Hong Kong’s population resided in that area.